This Tuesday Antena3 premiered a new “series of doctors”,
produced by Ficción TV (Grupo Zeta) that has familiar faces such as Miguel Ángel Muñoz, Toni Acosta (making it clear to the main audience: those who became orphans after A step forward) or Nancho Novo (who became very fashionable to early in the decade and since The Comedy Club has been seen rather little).
The plot is very simple: Rich boy (Ulysses) who studied in the US is forced to work before the galloping bankruptcy of his family. And, of course, he can not work anywhere else than in one of the poorest neighborhoods in Madrid, the (fictional) Pingarrón Stream.
All said. In front of the almighty House and the American series with egregious figures that you admire or hate (Grissom, Shark, Ally McBeal …), we propose a series that diverts attention to the extras. And there are many for any viewer to find someone to identify with. It is what has always worked in Spain: Chronicles of a people, Menudo is my father, I am Bea, Hands to work, Tell me, Dear teacher, Los Serrano …
I will not be particularly punctilious with the specific errors of representation of the profession since I assume it is a series of entertainment and not a documentary about public health, so I will overlook details such as inspections for prolonged sick leave are made to the patient, not the doctor.
But for the approach of the plot itself, yes I have some words …
Let’s see, who thought it was credible to put a doctor with no experience or approved specialty to run a public health center without opposition, property or anything like that? Without entering, of course, into the political game that involves the entire underworld of intermediate positions. Surely it was the same who thought that the play on words between the name of the protagonist (I would call it McGuffin) and the true syndrome of Ulysses was intelligent humor.
And the same for his faculty colleagues. That pija operated girl, what is supposed to do in that medical consortium? Pass consultation I do not think … Ok, I rely on my brief experience in a private clinic in which I, just finished, did not paint practically anything, but I do not think it is very different in the rest of clinics in the country.
The choice of actors seems right to me. That M.A.M. I think an insufferable actor does not mean that he is a suitable person to approach that audience goal that he mentioned at the beginning. He looks young, transmits insecurity to his character and looks good.
There were also elements that I liked, such as the brief moments in consultation. That mother defying the pediatrician, the “I’m not coming to the doctor a lot” said by whoever is there once a week, the so-called “this is a virus, paracetamol and a lot of water” that by dint of repeating it has become in a cantinela without a message (but today it served me to break the ice with a patient and her son, thanks to the laughter), or the “I change doctor” as a mechanism to prolong the fuller where possible.
But a brief, unable to trace the tone. To make credible the weak premises that sustain the argument, such as the situation of the protagonist, their social relationships or their inability to leave work in the neighborhood in question (do not like the center? Go somewhere else, if possible outside of the big cities, you must be the only one who has not heard that there are no family doctors in Spain …)
Overall, I thought it was a simple series without bad intentions, in which the profession and the neighborhood are portrayed in favor of the plot although without falling into “everything is an almost incurable disease” or in “what good doctors live” of other titles. A series that does not hurt if you stay in it a few minutes to zap, but lacks the hook to leave the command on the table.